#252 – Jay-Z – The Blueprint


The second of three albums from rapper Jay-Z is his sixth studio album.  The album was released on 9-11-2001, sharing its fateful release date with Bob Dylan’s Love and Theft.  The album received rave reviews, and is considered by many to be one of the greatest rap albums ever released.


Oh yes, sir. I’ve been waiting for this one. As mentioned earlier, this is one of a few amazing albums that happened to be released on Sept 11, 2001. At the time, Jay was awaiting trials for gun possession and assault and he was also in the midst of feuds with Nas, Prodigy and others. A lot has changed on the personal front for Hova, as it would for a lot of people in 16 years 

Kanye’s influence is strong on this one, with him producing 5 tracks and co-writing 4. This album was a turning point for Kanye, as he transitioned from producer to performer.  He transitioned from performer to giant douche shortly thereafter, and is now transitioning into full-blown lunatic.

I love girls, girls, girls, girls
Girls, I do adore
Yo put your number on this paper cause I would love to date ya
Holla at ya when I come off tour, yeah
I got this Spanish chica, she don’t like me to roam
So she call me cabron plus marricon
Said she likes to cook rice so she likes me home
I’m like, “Un momento” mami, slow up your tempo
I got this black chick, she don’t know how to act
Always talkin’ out her neck, makin’ her fingers snap
She like, “Listen Jigga Man, I don’t care if you rap

One non-girl who benefited from ‘Girls, Girls, Girls’ is Redskins legend Sammy Baugh. Baugh was quarterback for the Redskins from 1937 to 1952 and led the NFL in passer rating a record of six times. Since I care very little about the Redskins, I found that a much cooler and cuter part of Baugh’s history was that he married his high school sweetheart Edmonia and they enjoyed a 52 year marriage before Edmonia’s passing in 1990.  Baugh was known to have said that he enjoyed ranching more than football and, although he enjoyed the game, he wouldn’t have played sports at all if he had it to do over again. Anyhoo, Jay Z wore a Baugh throwback jersey in the video and it created a renewed interest in Sammy Baugh and his legend. The Oprah Effect is real, but let us not forget the Jay Z Effect. 

I’m a big Eminem fan, so the Em collaboration “Renegade” is another favorite of mine.  Nas thought Eminem was so good on this that he outperformed Jay himself, saying in his diss album Ether that “Eminem murdered you on your own sh@t.” The dual meanings of the song are the coolest element. Jay Z’s perspective is that critics don’t understand that his music is truly derived from a very rough upbringing, and that this is the audience he reaches. He says that growing up fatherless, poor, and forced into selling drugs by a desire to help his mother financially means critics shouldn’t dare lump him in with rappers whose songs are just about ‘jewels.’ Eminem’s lyrics are all about how the public responds to his lyrics. Always controversial in his lyrical choices, Eminem has historically become somewhat of a whipping boy publicly, often being denounced and blamed as a contributor to any number of societal problems.  He sees this as deeply hypocritical, and asserts that the media uses him as a scapegoat so people can ignore their own culpability as parents, etc. Awesome song:

I had to hustle
My back to the wall
Ashy knuckles
Pockets filled with
A lot of lint, not a cent
Gotta vent
Lot of innocent of lives
Lost on the project bench
Whatchu hollerin’?
Gotta pay rent
Bring dollars in
By the bodega
Iron under my coat
Feelin’ braver
Wrappin’ my waves up
Pockets full of hope
Do not step to me
I’m awkward
I box leftier often
My pops left me an orphan
My momma wasn’t home
Could not stress to me
I wasn’t grown
‘Specially on nights
I brought somethin’ home
To quiet the
Stomach rumblings
My demeanor
Thirty years my senior
My childhood
Didn’t mean much
Only raisin’ green up
Raisin’ my fingers to critics
Raisin’ my head to the sky
Big I did it
Multi before I die (nigga)
No lie, just know
I chose my own fate
I drove by the
Fork in the road
And went straight
See I’m a poet to some
A regular
Modern day Shakespeare
Jesus Christ the
King of these
Latter Day Saints here
To shatter the picture
In which of that
As they paint me
As a monger of hate and
Satan a scatter-brained atheist
But that ain’t the case
See it’s a matter of taste
We as a people decide
If Shady’s as bad
As they say he is
Or is he the latter
A gateway to escape?
Media scapegoat
Who they can
Be mad at today
See it’s easy as cake
Simple as whistlin’ Dixie
While I’m wavin’ the pistol
At sixty Christians against me
Go to war with the Mormons
Take a bath with the Catholics
In holy water
No wonder they try
To hold me under longer
I’m a motherfuckin’ spiteful
Delightful eyeful
The new Ice Cube
Motherfuckers hate to like you
What did I do?
I’m just a kid
From the gutter
Makin’ this butter
Off these bloodsuckers
Cause I’m a muh’fuckin’

Freaking awesome album. I’ll always be back for more Jay Z. It’s rare that the world gets an artist as talented as Mr. Carter.


This is one hell of a great album.  I like Jay-Z, and while my favorite of his albums is coming up (at #251), this was a real treat to hear again.  While this may not be my favorie example of Jay-Z’s lyrics, this is probably one of the best produced rap albums I have ever heard.  As much as I hate Kanye, the guy has some serious talent, and his work on this album is some of his finest.

Easily my favorite song on the album, and one of my favorite Jay-Z songs in general is “Izzo (H.O.V.A.).”  You would be hard pressed to find someone that DIDN’T know this track.  It’s chorus is catchy as hell, and Jay-Z kills it.  Also… it’s a Kanye produced track.

Ladies and gentlemen, put our hands together for the astonishing…
[girls singing]
H to the izz-O…V to the izz-A…

Welcome ladies and gentlemen to the 8th wonder of the world
The flow o’ the century…oh it’s timeless…HOVE!
Thanks for comin’ out tonight
You coulda been anywhere in the world, but you’re here with me
I appreciate that…uuunnnh…

H to the izz-O, V to the izz-A
Fo’ shizzle my nizzle used to dribble down in VA
Was herbin’ em in the home of the Terrapins
Got it dirt cheap for them
Plus if they was short wit’ cheese I would work wit’ them
Boy and we…got rid of that dirt for them
Wasn’t born hustlers I was burpin’ em
H to the izz-O, V to the izz-A
Fo’ sheezy my neezy keep my arms so breezy
Can’t leave rap alone the game needs me
Haters want me clapped and chromed it ain’t easy
Cops wanna knock me, D.A. wanna box me in
But somehow, I beat them charges like Rocky
H to the izz-O, V to the izz-A
Not guilty, he who does not feel me is not real to me
Therefore he doesn’t exist
So poof…vamoose son of a bitch

H to the izz-O, V to the izz-A
Fo’ shizzle my nizzle used to dribble down in VA
H to the izz-O, V to the izz-A
That’s the anthem get’cha damn hands up
H to the izz-O, V to the izz-A
Not guilty ya’ll got-ta feel me
H to the izz-O, V to the izz-A
That’s the anthem get’cha damn hands UP!

Holla at me…
I do this for my culture
To let ’em know what a nigga look like…when a nigga in a roaster
Show ’em how to move in a room full ‘o vultures
Industry shady it need to be taken over
Label owners hate me I’m raisin’ the status quo up
I’m overchargin’ niggaz for what they did to the Cold Crush
Pay us like you owe us for all the years that you hold us
We can talk, but money talks so talk mo’ bucks


Hove is back, life stories told through rap
Niggaz actin’ like I sold you crack
Like I told you sell drugs…no…
Hove did that so hopefully you won’t have to go through that
I was raised in the pro-jects, roaches and rats
Smokers out back, sellin’ they mama’s sofa
Lookouts on the corner, focused on the ave
Ladies in the window, focused on the kinfolk
Me under a lamp post, why I got my hand closed?
Cracks in my palm, watchin’ the long arm o’ the law
So you know I seen it all before
I seen hoop dreams deflate like a true fiend’s weight
To try and to fail, the two things I hate
Succeed in this rap game, the two things is great
H to the izz-O, V to the izz-A
What else can I say about dude, I gets bizzay

“Heart of the City (Ain’t No Love)” is another Kanye produced track, and another track I really enjoy.  It is basically a big rant about people hating Jay-Z’s success.  It wasn’t a single, and honestly not even a song I remembered from hearing this album so many years ago, but it got stuck in my head this time around.

Uh, uh, listen
First the Fat Boys break up, now every day I wake up
Somebody got a problem with Hov’
What’s up you all niggas all fed up ’cause I got a little cheddar
and my records moving out the store?
Young fucks spitting at me, young rappers getting at me
My nigga Big predicted the shit exactly
“More money, more problems” – gotta move carefully
’cause faggots hate when you getting money like athletes
Yung’uns ice-grilling me, oh – you’re not feeling me?
Fine; it cost you nothing – pay me no mind
Look, I’m on my grind cousin, ain’t got time for fronting
Sensitive thugs, you all need hugs
Damn though mans I’m just trying do me
If the record’s two mill I’m just trying move three
Get a couple of chicks, get ’em to try to do E
Hopefully they’ll menage before I reach my garage
I don’t want much, fuck I drove every car
Some nice cooked food, some nice clean drawers
Bird-ass niggas I don’t mean to ruffle you all
I know you’re waiting in the wing but I’m doing my thing
Where’s the love?

“Ain’t no love, in the heart of the city..”
I said where’s the love?
“Ain’t no love, in the heart of town..”

And then the Fugee’s gonna break up, now everyday I wake up
Somebody got something to say
What’s all the fucking fussing for? Because I’m grubbing more
and I pack heat like I’m the oven door?
Niggas pray and pray on my downfall
But everytime I hit the ground I bounce up like roundball
Now I don’t wanna have to kill southpaw
Don’t wanna have to cock back the four pound bar
Look scrapper I got nephews to look after
I’m not looking at you dudes, I’m looking past you
I thought I told you characters I’m not a rapper
Can I live? I told you in ninety-six
that I came to take this shit and I did, handle my biz
I scramble like Randall with his
Cunningham but the only thing running is numbers fam
Jigga held you down six summers; damn, where’s the love?

“Ain’t no love, in the heart of the city..”
Niggas, where’s the love?
“Ain’t no love, in the heart of town..”
Holla at me!!
“Ain’t no love” (take ’em to church) “in the heart of the city..”
Uh, uh, uh – my nigga where’s the love?
“Ain’t no love, in the heart of town..”

Then Richard Pryor go and burn up, and Ike and Tina Turner break up
Then I wake up to more bullshit
You knew me before records, you never disrespected me
Now that I’m successful you’ll pull this shit
Nigga I’ll step on your porch, step to your boss
Let’s end the speculation, I’m talking to all you
Males shouldn’t be jealous that’s a female trait
Watch you mad ’cause you push dimes and he sell weight?
You all don’t know my expenses, I gotta buy a bigger place
Hehehe, and more baggies, why you all aggie?
Nigga respect the game, that should be it
What you eat don’t make me shit – where’s the love?

Where’s the love?

“Ain’t no love, in the heart of the city..”
“Ain’t no love, in the heart of town..”
“Ain’t no love, in the heart of the city..”
“Ain’t no love, in the heart of town..”
“Ain’t no love, in the heart of the city..”
“Ain’t no love, in the heart of town..”

“Ain’t no love..”

Goodbye for now Mr. Carter, see you in a few days.


#253 – Bruce Springsteen – The River


The third of eight listed albums from Jersey boy Bruce Springsteen is his fifth studio album.  The 1980 release was The Boss’s first album to reach #1 on the Billboard charts, and spent four weeks on top.  The album is Springsteen’s only double album, and while only producing three singles in the US, in the UK an additional four singles were released.


Double albums are a tricky business because if they aren’t total winners they become quite burdensome to listen to all the way through. Unlike Steve, who may be crazy, I like and respect The Boss, which is what makes it particularly difficult to say I’m glad this is his only double album. 

Now, I freaking LOVE ‘Hungry Heart.’ It’s one of my favorite Bruce songs. And there’s really no reason because it’s kind of a corny song and it’s also one of his easiest to perform.  Although it was very popular in the live show in the early 90s, it became increasingly rare in performances as Bruce and E Street evolved into avoiding many of the predictable radio hits. When he did perform it, it was often with a guest singer accompanying because of it being an easy song to perform.

Now, you’re probably wondering if Minnie Driver has covered ‘Hungry Heart,’ and I’m happy to report that she has. I wasn’t aware the Minnie had a singing career in addition to an acting one. I just sort of picture her eating a bunch of caramels somewhere with Will Hunting. But no, here she is too. I listened to a couple of other songs of hers—definitely glad she stuck to acting, but she’s a decent singer.

I met her in a Kingstown bar
We fell in love I knew it had to end
We took what we had and we ripped it apart
Now here I am down in Kingstown again
Everybody’s got a hungry heart
Everybody’s got a hungry heart
Lay down your money and you play your part
Everybody’s got a hungry heart
Everybody needs a place to rest
Everybody wants to have a home
Don’t make no difference what nobody says
Ain’t nobody like to be alone
Everybody’s got a hungry heart
Everybody’s got a hungry heart
Lay down your money and you play your part
Everybody’s got a hungry heart

The rest of this album dragged hard.   I got pretty bored and there wasn’t anything too good that jumped out, to the point that I’m just moving on from this one.  Maybe 400s, Bruce, but not higher.  400s would have been generous.


Sigh, more Bruce Springsteen.  Whatever, I’ll get through it.  I feel like if you make a double album, and it only produces three singles, it may not have been the best decision.  Upon actually listening to it, I think my feeling was correct.  A lot of this is just meh.

I did enjoy “Fade Away” one of the singles from the album.  The song reached #20 on the US Billboard charts.  It is quite possibly one of Springsteen’s most depressing songs, about love lost.

I don’t wanna fade away 
Oh I don’t wanna fade away 
Tell me what can I do what can I say 
Cause darlin’ I don’t wanna fade away 

Well now you say that you’ve made up your mind 
it’s been such a long, long time since it’s been good with us 
And that somewhere back along the line you lost your love and I lost your trust 
Now rooms that once were so bright are filled with the coming night, darlin’ 


You say it’s not easy for you 
And that you’ve been so lonely 
While other girls go out doing what they want to do 
You say that you miss the nights when we’d go out dancing 
The days when you and I walked as two 
Well girl I miss them too 
Oh I swear that I do 
Oh girl 

Now baby I don’t wanna be just another useless memory holding you tight 
Or just some other ghost out on the street to whom you stop and politely speak 
when you pass on by vanishing into the night 
left to vanish into the night 
No baby 

Nothing on this album really grabbed me, and I agree with Sara; this album is far too high on this list.


#254 – Otis Redding – Complete and Unbelievable: The Otis Redding Dictionary of Soul


The first of three listed albums from American soul legend Otis Redding is his fifth studio album.  The 1966 release was Redding’s last solo album before his death in December of 1967.  The album peaked at #73 on the Billboard 200 chart, and reached #5 on the R&B LP charts.


There really are few vocals out there as soulful as those of Otis Redding, and for this reason I was super pumped to listen to his last solo album. Let’s start with the good.  ‘Try A Little Tenderness’ is the absolute cat’s pajamas.  I LOVE that song so hard and Otis Redding’s version is incomparable, despite Three Dog Night’s best efforts. Jay Z and Kanye sample it in their song ‘Otis’ off ‘Watch The Throne’ and it’s on a number of ‘best songs of all-time’ lists.  You just can’t not love it. Seriously, I wouldn’t be surprised if not liking it was linked to being a sociopath.  The way it builds combined with Redding’s vocal talent just make it a force to be reckoned with.

I don’t want to slight the album because Otis Redding is amazing, but the thing that I want to note is that the songs he didn’t write are the highlights. This album’s covers are the better songs, with his own works being good but not totally life-changing for me.  This one may be my fault for setting the bar too high, to be honest, as I was expecting it to revolutionize my brain.

I’d absolutely listen to this again, and will be incorporating ‘Try a Little Tenderness’ into my regular hitlist.


Having listened to the other two Otis Redding albums that are included on this list, this one dumbfounds me a little bit.  It is good, but it is not even close to being in the same world of talent that Redding shows off in the other two albums.  I feel that there are several albums that got snubbed that could have taken this album’s place.  So I am going to sneak in a surprise:

SNUB 003 – Alice in Chains – Dirt


The fact that Alice in Chains was not included on this list is ridiculous.  They are on of the most influential bands of the modern rock era.  Dirt is one of my favorite albums of all time, but every album they produced has been fantastic.  Hell, they have the first EP EVER to top the Billboard 200 album charts, in Jar of Flies.

Dirt is the second studio album from Alice in Chains.  The 1992 release hit #6 on the Billboard 200 album charts, and is the band’s highest selling album to date.  This is also the last album to feature all four of the band’s original members.

One of my favorite songs of all time is “Down in a Hole.”  In general I tend to prefer the Jerry Cantrell written songs to the Layne Staley ones.  In fact only one of the five singles from this album was written by Layne Staley, the others are all Cantrell.  Still, without Staley’s voice, the band just wouldn’t be the same.

“Down in a Hole” is a song about love and addiction, which for the purposes of this one are interchangeable.  Specifically the feeling of being so lost in someone or something that you have lost yourself.

Bury me softly in this womb
I give this part of me for you
Sand rains down and here I sit
Holding rare flowers
In a tomb… in bloom

Down in a hole and I don’t know if I can be saved
See my heart I decorate it like a grave
Oh, you don’t understand who they thought I was supposed to be
Look at me now I’m a man who won’t let himself be

Down in a hole, feeling so small
Down in a hole, losing my soul
I’d like to fly,
But my wings have been so denied

Down in a hole and they’ve put all the stones in their place
I’ve eaten the sun so my tongue has been burned of the taste
I have been guilty of kicking myself in the teeth
I will speak no more of my feelings beneath

Down in a hole, feeling so small
Down in a hole, losing my soul
I’d like to fly
But my wings have been so denied

Bury me softly in this womb
Oh I want to be inside of you
I give this part of me for you
Oh I want to be inside of you
Sand rains down and here I sit
Holding rare flowers
Oh I want to be inside of you
In a tomb… in bloom
Oh I want to be inside…

Down in a hole, feeling so small
Down in a hole, losing my soul
Down in a hole, feeling so small
Down in a hole, out of control
I’d like to fly
But my wings have been so denied

One of the best examples of an off-time song is this album’s “Them Bones.”  The song is played in a 7/8 tempo, except for the chorus which is 4/4.  As Cantrell himself puts it:

“I really don’t know where that comes from; it just comes naturally to me. I could sit down and figure it out, but what’s the use? Off-time stuff is just more exciting — it takes people by surprise when you shift gears like that before they even know what the hell hit ’em. It’s also effective when you slow something down and then slam ’em into the dash.”

There is no great deep meaning to the track.  It is about our mortality, not a new theme by any means.  It is just a musically excellent reminder that at some point we are all just going to be bones.

I believe them bones are me
Some say we’re born into the grave

I feel so alone, gonna end up a
Big ole pile of them bones

Aaah! Aaah! Aaaaaaaaah!

Dust rise right on over my time
Empty fossil of the new scene

I feel so alone, gonna end up a
Big ole pile of them bones

Toll due bad dream come true
I lie dead gone under red sky

I feel so alone, gonna end up a
Big ole pile of them…
I feel so alone, gonna end up a
Big ole pile of them…
I feel so alone, gonna end up a
Big ole pile of them bones

I am just shocked that I had to use a snub on Alice in Chains.  If you don’t consider them one of the most influential and important bands of the 1990’s; you are crazy.  I personally think they are insane for not including the Mad Season album Above, one of my all time favorite albums.  However, I get it, it is not as well known or influential as far as music goes.  If you’ve never heard of them, check it out.  It is a Seattle supergroup (Layne Staley of Alice in Chains, Mike McCready of Pearl Jam, and Barrett Martin of The Screaming Trees).

#255 – Metallica – Metallica (The Black Album)


The first of two Metallica albums on this list is the band’s fifth studio album.  The 1991 release is the band’s highest selling album and spent 363 weeks on the Billboard charts, making it one of the ten longest charted albums ever.


Talk about a powerhouse. This album is a force to be reckoned with. I have listened to it a bit over the years and knew it was awesome, but I never owned it or sat through the whole thing. I think this is the third or fourth time on this project that I’ve played an album again immediately after it ended. In fact, I listened to this on a Sunday morning with the plan of getting through several albums that day, but ended up listening to Metallica the entire day.

The start of the album is arguably the most legendary introduction in the history of heavy metal, “Enter Sandman.” It’s one of Metallica’s less complex tunes, and it works in this sense because the simplicity of the riff is just mesmerizing. For me, it naturally brings to mind Mariano Rivera coming on to the field at Yankee Stadium to close out a game in the way that only Mo could. For Iraqi prisoners, this song probably doesn’t bring back such happy memories, as it was often used by American interrogators to break prisoners’ resistance.  Lars Ulrich had this to say about using Metallica’s music to offend such prisoners culturally for this reason: “If there are people that are dumb enough to use Metallica to interrogate prisoners, you’re forgetting about all the music that’s to the left of us. I can name, you know, 30 Norwegian death metal bands that would make Metallica sound like Simon & Garfunkel”.  The music video  is also off-the-chain creepy and awesome.

As covers are usually a way of paying homage to an artist, one may assume the fact that names such as Reel Big Fish, Weird Al, and Sum 41 are among the most notable who’ve covered this is kind of a crappy tribute list. I see it the other way, though. I think Metallica is just too awesome for a great band to cover this song. A better version, or even a respectable version, is unlikely or impossible.  I think the greats have avoided covering it for this reason, leaving it to the Sum 41s of the world.

I thought all of this until I came across a cover of ‘Enter Sandman’ by a band called The Warning.  The Warning is comprised of three sisters, Daniela, Paulina and Alejandra. The girls are teenagers in Mexico and their father manages them. You may recognize them from their performance of “Crazy Train” on Ellen. Their performance of ‘Enter Sandman’ is INCREDIBLE. These girls are a trip.  Check them out on YouTube.


My other favorite song on this album is now a critical part of the live show and often fades into ‘Enter Sandman,’ ‘Nothing Else Matters.’ The band dedicates it to their fans and it’s a very genuine song.  The message is awesome too.  We often get lost in the little things (I do , at least), and there’s a lot to be said for pausing to think about what actually matters. In my life, there are a few major things that matter and these lyrics are a great reminder not to get caught up in unimportant things that ultimately do not matter


So close, no matter how far

Couldn’t be much more from the heart

Forever trusting who we are

And nothing else matters

Never opened myself this way

Life is ours, we live it our way

All these words I don’t just say

And nothing else matters

Trust I seek and I find in you

Every day for us something new

Open mind for a different view

And nothing else matters

Never cared for what they do

Never cared for what they know

But I know



I don’t know if we’ve had a great heavy metal album on this list yet, and if we haven’t this is it.  Freaking awesome and I can hardly tear myself away from it. I went online to see if M was touring but they’re only playing on the west coast. Hippies.



Well now, here is one I am familiar with.  This album is easily one of the best albums from the 1990’s.  Metallica put themselves on the map with this one, and it is excellent.  In my opinion they have not come close to this quality of music since this album.  I actually tend to prefer Master of Puppets, which we will see down the road a ways, but this one is a damn close second.

One of my favorite Metallica songs has long been “Don’t Tread on Me.”  The song was not released as an official single, but has seen significant radio play over the years.  The snake from the famous Gadsden flag featuring the title of this song was included on the album’s cover.  The song was never performed live until the band’s 2012 European Black Album 20th Anniversary tour.

Liberty or death, what we so proudly hail
Once you provoke her, rattling of her tail
Never begins it, never, but once engaged…
Never surrenders, showing the fangs of rage

Don’t tread on me

So be it
Threaten no more
To secure peace is to prepare for war
So be it
Settle the score
Touch me again for the words that you’ll hear evermore…

Don’t tread on me

Love it or leave it, she with the deadly bite
Quick is the blue tongue, forked as the lightning strike
Shining with brightness, always on surveillance
The eyes, they never close, emblem of vigilance

Don’t tread on me

So be it
Threaten no more
To secure peace is to prepare for war
So be it
Settle the score
Touch me again for the words that you’ll hear evermore…

Don’t tread on me

So be it
Threaten no more
To secure peace is to prepare for war

Liberty or death, what we so proudly hail
Once you provoke her, rattling of her tail

So be it
Threaten no more
To secure peace is to prepare for war
So be it
Settle the score
Touch me again for the words that you’ll hear evermore…

Don’t tread on me


Another song I have always enjoyed is the second single from the album, “The Unforgiven.”  The song is the second single from The Black Album and was simultaneously slower and more heavy than the rest of the album.  This song spawned not just one, but two sequels.  I am not sure why a song really needs a sequel, but I also don’t understand 95% of the sequels Hollywood produces, so I am probably not the target audience anyways.

New blood joins this earth,
And quickly he’s subdued.
Through constant pained disgrace
The young boy learns their rules.

With time the child draws in.
This whipping boy done wrong.
Deprived of all his thoughts
The young man struggles on and on he’s known
A vow unto his own,
That never from this day
His will they’ll take away.

What I’ve felt,
What I’ve known
Never shined through in what I’ve shown.
Never be.
Never see.
Won’t see what might have been.

What I’ve felt,
What I’ve known
Never shined through in what I’ve shown.
Never free.
Never me.
So I dub thee unforgiven.

They dedicate their lives
To running all of his.
He tries to please them all –
This bitter man he is.

Throughout his life the same –
He’s battled constantly.
This fight he cannot win –
A tired man they see no longer cares.

The old man then prepares
To die regretfully –
That old man here is me.

What I’ve felt,
What I’ve known
Never shined through in what I’ve shown.
Never be.
Never see.
Won’t see what might have been.

What I’ve felt,
What I’ve known
Never shined through in what I’ve shown.
Never free.
Never me.
So I dub thee unforgiven.

As I said, I prefer Master of Puppets but this was still a really solid listen that  brought me back a ways.  This almost makes me want to forget that Metallica killed Napster.

#256 – Kraftwerk – Trans-Europe Express


The first and only listed album from German Electronic band Kraftwerk is their sixth studio album.  The 1977 release was not a huge success in the US only reaching #119 on the American Billboard charts.  It was #30 on our old friend The Village Voice Pazz & Jop critics poll.


One minute into this my wife thought something was wrong with my computer because it was basically just beep-bop-booping.  To me, the nagging, monotonous repetitive intro to the first song sounded like something that would be playing in a slow-motion movie scene showing a track and field race.  I can see our main character quite a ways behind third, rounding the final turn, and just beginning to edge out competitors one by one until, at the finish line, he just inches past the leader to win the race.  Good soundtrack for that 30 second imagined scene. For all other circumstances this is so difficult to listen to that my fingers are shaking with anger as I type. 

In 2014, the LA Times said this album was ‘the most important album of the last 40 years.’ Fake News! SAD!!!  This is so terrible I don’t even know what to do with myself.  I think it’s even making my dog mad. 

I got through this the only way I know how—completely tuned out writing something else. I swear these guys are chanting ‘trans Europe Express’ throughout every song. I don’t even understand what is happening. The last song is called “Endless Endless” and this album will never end and nothing will end it and please end it end it end it I can’t go on……………

This sucked. Synthesizer hell. I never want to talk or think about this again. “I award you no points, and may God have mercy on your soul.”



What list of greatest music of all time would be complete without a some German Electric music!  Actually, I am not sure why this is on here.  The best I can say about it is that it is certainly interesting.  The most important lesson I learned from this album is that my daughter may have horrible taste in music.

Maddie has actually asked to listen to this several times since she heard it for the first time.  She calls it creepy Halloween music, and really enjoys it.  I am sure most of you can hear the exasperated sigh every time she asks.  I’d almost rather listen to The Trolls movie soundtrack for the millionth time.

For what it’s worth her favorite song is “Showroom Dummies,” which happens to be one of the two singles released from this one.  The German title is “Schaufensterpuppen” which is going to be the name of my band if I ever start one.  Not likely since all I can do is play bass badly, however, listening to some of these albums, I still have hope I can start a musical career without any talent.  I’m going with the German lyrics since they really don’t matter anyways:

Eins, zwei, drei, vier

Wir steh’n herum
Und stellen uns aus
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

Wir werden beobachtet
Und wir spüren unsern Puls
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

Wir blicken uns um
Und wechseln die Pose
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

Wir bewegen uns
Und wir brechen das Glas
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

Wir treten heraus
Und streifen durch die Stadt
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

Wir gehen in den Club
Und wir fangen an zu Tanzen
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen
Wir sind Schaufensterpuppen

One of the things I have learned through this experience is that I seldom agree with music critics.  This album for instance was not one I hated, but it was definitely something that I forced myself to get through.  Then I find out that in 2014, the LA Times called this “the most important pop album of the last 40 years.”  I’m so confused!  That sounds like something that would be in Weekly World News.  “Most Important Pop Album Ever Found Living in Dusseldorf!”

#257 – Whitney Houston – Whitney Houston


The first and only listed album from Whitney Houston is her debut album.  The album hit the shelves on Valentine’s Day in 1985 and sales were slow at first, but the album eventually topped the Billboard 200 for 14 weeks in 1986.  The album had three #1 singles, which was a first for a debut album, and also a first for a solo female artist.


Michael Jackson and Whitney Houston. These are the two reasons I try to never miss an opportunity to see a performer that I love in concert and not procrastinate.  We never know when they’ll be taken from us.  If you’re in the habit of criticizing Whitney Houston, you’ll want to avoid listening to anything I have to say about her because I LOVE me some Whitney. Always have.  I grew up listening to her and Madonna and you won’t catch me saying a bad word about either one.

The keyboards and synthesizers are so money on this album it’s ridiculous. Top 3 songs, which are spread throughout the album are “Saving All My Love for You,” “How Will I Know,” and “Greatest Love of All.” 

“Greatest Love of All” is the unquestionable highlight of the album and it made me super nostalgic. I used to sing this song constantly as a kid. When it played this time, I went slightly overboard singing it and dancing around with my youngest, while my wife and other daughter just stood there surprised that I can belt out every nuance. I knew that Houston did not write her own music, but I did not know that this song wasn’t written for her. In fact, it was written years before Whitney hit the scene, in 1977, and originally recorded by George Benson. Benson’s version hit #2 on the R&B charts, which he was probably pretty psyched about until Whitney came along 8 years later and crushed it. It’s also been performed in parts by Eddie Murphy in both “Coming to America” and “Shrek,” in terms of idiots who’ve tried to capitalize on Whitney Houston’s fame.  Isn’t it so Eddie Murphy to do it in more than one movie? Man I can’t stand that guy. 

Now that I’m a mom and an adult, the message of empowerment resonates even more: 

I believe the children are our are future 
Teach them well and let them lead the way 
Show them all the beauty they possess inside 
Give them a sense of pride to make it easier
Let the children’s laughter remind us how we used to be 
Everybody searching for a hero 
People need someone to look up to 
I never found anyone who fulfill my needs 
A lonely place to be 
So I learned to depend on me

I decided long ago, never to walk in anyone’s shadows 
If I fail, if I succeed 
At least I’ll live as I believe 
No matter what they take from me 
They can’t take away my dignity 
Because the greatest love of all 
Is happening to me 
I found the greatest love of all 
Inside of me 
The greatest love of all 
Is easy to achieve 
Learning to love yourself 
It is the greatest love of all

I miss Whitney. She was in imperfect person, just like the rest of us, but her talent was unrivaled. It’s unfortunate that she passed away before we could enjoy more of her work.


Sadly, Whitney passed away three days shy of the 27th anniversary of this album’s release.  She is to this day the only artist to chart seven consecutive #1 singles on the Billboard Hot 100.  According to the Guinness Book of World Records, Whitney Houston is also the most awarded female act of all time.

Interesting side note, my friend Doug, an avid Buffalo Bills fan blames Whitney Houston for the Bills losing Super Bowl XXV to the New York Giants in 1991.  He says that Whitney facing the Giants while she sang one of the best renditions of the “Star Spangled Banner” ever performed gave them an emotional edge.  Maybe if she had been looking at Scott “Wide Right” Norwood, the game would have ended differently.  We will never know.


This album is really solid, especially for a debut.  If “Saving All My Love For You” was the first time you heard Whitney Houston sing, you wouldn’t soon forget it.  It is the perfect introduction to her amazing voice.  Hard to believe that this was the third single released from this album.  It is the best showcase of her tremendous pipes on this album.  No surprise this was her first #1 single.

A few stolen moments is all that we share 
You’ve got your family, and they need you there 
Though I’ve tried to resist, being last on your list 
But no other man’s gonna do
So I’m saving all my love for you

It’s not very easy living all alone 
My friends try and tell me find a man of my own 
But each time I try I just break down and cry 
‘Cause I’d rather be home feeling blue 
So I’m saving all my love for you 

You used to tell me we’d run away together 
Love gives you the right to be free 
You said, “Be patient, just wait a little longer.”
But that’s just an old fantasy 

I’ve got to get ready
Just a few minutes more 
Gonna get that old feeling
When you walk through that door 

‘Cause tonight is the night for a feeling alright 
We’ll be making love the whole night through 
So I’m saving all my love 
Yes, I’m saving all my love 
Yes, I’m saving all my love for you 

No other woman is gonna love you more 
‘Cause tonight is the night that I’m feeling alright
We’ll be making love the whole night through 
So I’m saving all my love 
Yeah, I’m saving all my loving
Yes, I’m saving all my love for you 
For you, for you

This album was the start of an amazing career by an amazing artist.  Whitney’s voice is one of the finest to ever grace our planet.  The world is a darker place since we lost her.

#258 – The Kinks – The Kinks are the Village Green Preservation Society


The second of three listed albums from The Kinks is the band’s sixth studio album.  The 1968 release was the band’s last produced with the original band members.  The album failed to chart, only selling about 100,000 copies.


This is a super interesting add to the list because although it was almost universally praised by critics, this album didn’t chart when released. The title track starts this one off and really sets the tone for the experience. It’s inspired by a longing for traditional England, and even led to the band’s slogan “God Save the Kinks.” It’s hard to believe this song didn’t’ chart, because for a 60s pop tune it seems to have it all: simple yet meaningful lyrics, a light, upbeat rhythm, strong harmonies, and shy of 3 minutes.

Frequently stricken by nostalgia, this one really resonated with me.  I tend to remember past things really fondly and conveniently leave out things that don’t fit the perfect image of the past I’m creating, and this song was kind of a funny reflection on that.  As a parent, I sure hope I reflect back on the days I’m in now (with 2 kids under 3) and remember all the laughs and silly times as opposed to the sleeplessness and poop-covered scenarios. And yes, of course part of me wants to preserve this time exactly as it is and just freeze things here with my perfect little babies. Ray Davies said later that the ‘Village Green’ is just a metaphor for that place we all go in our heads when we are overwhelmed.  Maybe it’s in the past, maybe it’s imagined for some, but we all have that ideal place we think about when we are longing for something different. 

We are the Draught Beer Preservation Society
God save Mrs. Mopp and good Old Mother Riley
We are the Custard Pie Appreciation Consortium
God save the George Cross and all those who were awarded them
We are the Sherlock Holmes English Speaking Vernacular
Help save Fu Manchu, Moriarty and Dracula
We are the Office Block Persecution Affinity
God save little shops, china cups and virginity
We are the Skyscraper condemnation Affiliate
God save tudor houses, antique tables and billiards
Preserving the old ways from being abused
Protecting the new ways for me and for you
What more can we do
God save the Village Green.

As I moved through the tracks, my affection for this album and the Kinks in general just skyrocketed. The Kinks have a cult following and I totally get it. They’re incredible.  I’d actually put this much higher on the list, in the 100s b/c it’s that good.  One of the coolest things about it is that, unlike many recent albums we’ve listened to, no one or two songs jump out as the winners. Every song is just solid and there’s just enough variety.

The bluesy “Last of the Steam Powered Trains” was a favorite of mine. It’s driven by a harmonica hook borrowed from Howlin Wolf’s “Smokestack Lightning” that evokes some serious head-bobbing and, although it starts off slow and straight bluesy, it speeds up midway and features some great bass work. It’s just a straight up cool song.

Some say it’s about the declining popularity of blues at the time, but it can be about anything that’s fading away. Instead of changing, sometimes we dig in and stand our ground, advocating for the old way that we are proud of.  I’m stubborn so I can relate, ha.  I’m also loving the theme of change that is incorporated into much of the album.

Like the last of the good ol’ puffer trains,
I’m the last of the blood and sweat brigade,
And I don’t know where I’m going, or why I came.
I’m the last of the good old fashioned steam-powered trains.

I’m the last of the good old renegades.
All my friends are all middle class and grey,
But I live in a museum, so I’m okay.
I’m the last of the good old fashioned steam-powered trains.

Like the last of the good ol’ choo-choo trains,
Huff and puff ’till I blow this world away,
And I’m gonna keep on rollin’ till my dying day.
I’m the last of the good old fashioned steam-powered trains

The other coolest song on this album is “Village Green,” which again covers change and longing for the past. The only critique I’d offer is that it should be the last song on the album because it ties  in so perfectly with the first. The album would truly be a start-to-finish experience if it came full circle in this way, but that’s not to slight it in the least—just a suggestion from this mere mortal.

The Kinks really delivered on this one and my instinct as it ended was to just play the whole thing again. I want to wake up to it. It’s a cool kids’ Sgt Pepper (Before the Beatles version of the Beygency starts coming for me, let me just say YES, I like Sgt Pepper for crying out loud, I’m just saying there’s a lot of other cool stuff out there that often gets overlooked because people focus way too much on the Beatles).

This one is going directly to my playlist and will be filed under the ‘I am so mad at myself for not already loving this’ category with my new boyfriend Tom Waits.



As I mentioned before I love The Kinks.  I had never listened to this album, but did know a few of the songs on it.  This was what exactly I expected, some really great music.  It is a shame that this album didn’t chart, because it is a very strong effort from the band.

One of my favorites on this album was “Big Sky.”  Ray Davies, the Kinks founder, and primary songwriter, counts this as one of his favorite Kinks songs.  However he wasn’t happy with the band’s performance of the track.  He regrets that in his opinion the song wasn’t performed properly.

Big Sky looked down on all the people looking up at the Big Sky.
Everybody pushing one another around
Big Sky feels sad when he sees the children scream and cry
But the Big Sky’s too big to let it get him down.

Big Sky too big to cry
Big Sky too high to see
People like you and me

One day we’ll be free, we won’t care, just you see
‘Til that day can be, don’t let it get you down
When I feel that the world is too much for me
I think of the Big Sky, and nothing matters much to me.

Big Sky looked down on all the people who think they got problems
They get depressed and they hold their head in their hands and cry.
People lift up their hands and they look up to the Big Sky
But Big Sky is too big to sympathize

Big Sky’s too occupied
Though he would like to try
And he feels bad inside
Big Sky’s too big to cry

One day we’ll be free, we won’t care, just you wait and see
‘Til that day can be, don’t let it get you down.
When I feel that the world is too much for me
I think of the Big Sky, and nothing matters much to me.

The only single from this album that charted, well, kind of charted (in The Netherlands), was “Starstruck.”  The song is about getting caught up in a fast paced social scene and losing who you are.  It’s easy to get caught up in the fun side of life and get carried away.

Baby, you don’t know what you’re saying,
Because you’re a victim of bright city lights,
And your mind is not right.
You think the world’s at your feet.

‘Cause you’re starstruck, baby, starstruck.
Taken in by the lights,
Think you’ll never look back,
You know you’re starstruck on me.

Baby, you’re running around like you’re crazy.
You go to a party and dance through the night,
And you’ll drink ’till you’re tight,
And then you’re out on your feet.

‘Cause you’re starstruck, baby, starstruck.
Taken in by the lights,
Think you’ll never look back,
You know you’re starstruck on me.

Baby, watch out or else you’ll be ruined,
‘Cause once you’re addicted to wine and champagne,
It’s gonna drive you insane,
Because the world’s not so tame.

And you’re starstruck, baby, starstruck.
You’re taken in by the lights,
Think you’ll never look back,
You know you’re starstruck on me.
Don’t you know that you are,
Starstruck on me.
And you always will be,
Starstruck on me.
Starstruck on me.

Probably my favorite song lyrically on the album was “All of My Friends Were There.”  The song tells the story of a drunken performer of some sort who messes up a performance in front of all of his friends.  He is distraught and hides for a time until he gathers the strength to perform again and redeems himself.  Ray Davies wrote the song after he got drunk before a show and played awfully in front of all of his friends who were sitting in the front row.

My big day, it was the biggest day of my life.
It was the summit of my long career,
But I felt so down, and I drank too much beer,
The management said that I shouldn’t appear.
I walked out onto the stage and started to speak.
The first night I’ve missed for a couple of years,
I explained to the crowed and they started to jeer,
And just when I wanted no one to be there,
All of my friends were there.
Not just my friends, but their best friends too.
All of my friends were there to stand and stare,
Say what they may, all of their friends need not stay.
Those who laughed were not friends anyway.
All of my friends were there to stand and stare.

Days went by, I walked around dressed in a disguise.
I wore a mustache and I parted my hair,
And gave the impression that I did not care,
But oh, the embarrassment, oh, the dispair.
Came the day, helped with a few large glasses of gin,
I nervously mounted the stage once again,
Got through my performance and no one complained,
Thank God I can go back to normal again.
I went to that old cafe,
Where I had been in much happier days,
And all of my friends were there,
And no one cared.
Say what they may, all of my friends were there.
Not just my friends, but their best friends too.
All of my friends were there,
Now I don’t care.

This was a great album, from a great band.  I cannot wait to see what their final album has in store for us.