#334 – Graham Parker – Squeeze Out the Sparks

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The sole appearance from English musician Graham Parker is his fourth studio album.  The 1979 release has the lofty distinction of being voted the 1979 Album of the Year on The Village Voice’s Pazz and Jop Critics Poll.  Fun fact, the Rumors, Parker’s backing band, recorded all of the horn parts of The Clash’s album London Calling.

Sara

To start out on a positive note, I didn’t get physically ill while listening to this. Other than that I couldn’t stand it. Graham Parker seems like the kind of guy who would derive far too much self-esteem from his ability to work Austin Powers quotes into everyday scenarios.
I don’t know where to start here but I guess the song I disliked least was ‘Waiting for UFOs.’ The lyrics are stupid but the music was ok. I have to add that it’s also one of the last songs, so I may have confused relief that it was ending with affection for the song.
Other than that I don’t have anything to add here. This felt like I was listening to any album by any band and I have no idea why it’s on here.

Steve

This was an interesting choice for the list.  The new artists on this list have been extremely hit or miss for me.  This is a Billy Fuccilo Hugh miss for me.  This was literally background music, and the entire time I listened to it I was constantly looking for anything else to take my attention away from it.  Again, why is this shit on the list, Rolling Stone, WHY!!!!

#335 – Soundgarden – Superunknown

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The sole list appearance from Chris Cornell and Soundgarden is their fourth studio album.  The 1994 release is the band’s most commercially successful album.  Two of the album’s singles won Grammy Awards and the album was nominated for a Best Rock Album Grammy, but lost to Voodoo Lounge by The Rolling Stones.

Sara

Great to be back in the grunge scene for the first time in quite a while on this list!  Nirvana, Pearl Jam and Screaming Trees are the trio that I spent the most time loving, but Soundgarden is right up there (as are Alice in Chains and Mudhoney). This is without question Soundgarden’s best and most experimental album, and most of my favorite songs by them appear on ‘Superunknown.’
That starts with track 2, ‘My Wave.’ The message of this song is great. He’s basically saying ‘do whatever you’ve gotta do, but keep it out of my sunshine.’  It brings to mind those toxic friends we all have or had whose emotions and feelings need to be validated.  It’s not enough for them to dislike someone—they need us to jump in and dislike that person too.  They’re in a bad mood so they want us to be in a bad mood. I’ve tried to squeeze most of those relationships out of my life or at least keep those people at arms’ length b/c, as much as they want to be miserable, I’m not going to let it mess up my wave.
 

Cry, if you want to cry
If it helps you see
If it clears your eyes

Hate, if you want to hate
If it keeps you safe
If it makes you brave

Take, if you want a slice
If you want a piece
If it feels alright

Don’t come over here
And piss on my gate
Save it just keep it off my wave

  
I’m really loving Soundgarden more listening to this. It’s been a while since I’ve really paid attention to just them.  ‘Spoonman,’ which is really the song that got the band on the map beyond the grunge label, has a very interesting story.  When ‘Singles,’ which is one of the best movies ever, was filming, Pearl Jam bassist was tasked with coming up with a name for the fictional band that would appear in the film. ‘Citizen Dick’ ended up being the name, but Chris Cornell took it upon himself to write songs for the other prospective band names on the list. ‘Spoonman’ was one of the rejected names on the list and is named for street performer Artis the Spoonman.  Originally from Kodiak, Alaska, Artis was a fixture at Pike Place Market performing with his spoons.   He recorded ‘Spoonman’ with Soundgarden and is in the video. Chris Cornell described the song as a pardox between who Artis is and who people perceive him as.
Here’s a brief performance by Artis the Spoonman:

 
Feel the rhythm with your hands
(Steal the rhythm while you can)
Spoonman
Speak the rhythm on your own
(Speak the rhythm all alone) spoonman
Spoonman, come together with your hands
Save me, I’m together with your plan
Save me, yeah
Save, oh
Well, all my friends are Indians
(All my friends are brown and red) spoonman
And all my friends are skeletons
(They beat the rhythm with their bones) spoonman
Oh, hmm
Spoonman, come together with your hands
Save me, I’m together with your plan
Save me
Save
Save me
Save me, yeah
Save
With your
(Come on, come on, come on)
With your hands
With your hands
Come on, come on, come on, come on
Hands
 
‘The Day I Tried To Live’ is my favorite Soundgarden song and it appears toward the end of this album. To be honest, I think it would be a great way to have closed out the album, but there are a few songs afterward. I always thought it was much darker than it was intended.  As Chris Cornell has said, many people interpret it as a song about suicide because of the use of the word ‘live,’ but he meant it in a much less literal sense:
“It’s about trying to step out of being patterned and closed off and reclusive, which I’ve always had a problem with. It’s about attempting to be normal and just go out and be around other people and hang out. I have a tendency to sometimes be pretty closed off and not see people for long periods of time and not call anyone. It’s actually, in a way, a hopeful song. Especially the lines “One more time around/Might do it”, which is basically saying, ‘I tried today to understand and belong and get along with other people, and I failed, but I’ll probably try again tomorrow.’ A lot of people misinterpreted that song as a suicide-note song. Taking the word “live” too literally. “The Day I Tried to Live” means more like the day I actually tried to open up myself and experience everything that’s going on around me as opposed to blowing it all off and hiding in a cave.”
 
The day I tried to live
I stole a thousand beggar’s change
And gave it to the rich
The day I tried to win
I dangled from the power lines
And let the martyrs stretch yeah
Singing, one more time around
Might do it
One more time around
Might make it
One more time around
Might do it
One more time around
The day I tried to live
Words would you say
Never seem to live up to the ones inside your head
The lives we make
Never seem to ever get us anywhere but dead
The day I tried to live
I wallowed in the blood and mud with all the other pigs
Singing, one more time around
Might do it
One more time around
Might make it
One more time around
Might do it
One more time around
The day I tried to live, live
I tried
I woke the same as any other day you know
I should have stayed in bed
 
 
There are many reasons why this album was nominated for the 1995 Grammy Award for Best Rock Album. The dark lyrics and themes evoke a lot of emotion but leave enough to the imagination for one to apply that darkness to one’s own problems. The songs show a wide-range of diversity and technique, with influences from the Middle East to the Beatles. I particularly like the band’s use of timing.  There are many times throughout the album where a song does not follow prescribed timing and Matt Cameron’s drums or Kim Thayil’s guitar throw you a curve ball you weren’t expecting.  My only critique would be that a few songs could have been left out (‘Head Down,’ ‘Fresh Tendrils’) that don’t do a lot to add to the experience.

Steve

Oh man, growing up in the 1990’s this was one of my favorite albums.  Chris Cornell has done a lot of solo stuff that was OK, and I do enjoy Audioslave, but in my opinion this album is him at his absolute best.

There is not a bad track on this album.  I listen to music now, and it is hard to find an album with even a few listenable tracks.  The days of throwing in a album and letting it play all day sadly seem to be over.  This starts strong right from the first track, “Let Me Drown.”

This is a different kind of love song.  This is Chris Cornell submitting to being drowned in another person.  This is complete surrender to whatever themystery woman decides to do, whether it is good for Cornell or not.

Stretch the bones over my skin
Stretch the skin over my head
I’m going to the holy land
Stretch the marks over my eyes
Burn the candles deep inside
Yeah you know where I’m coming from

Give up to greed, you don’t have to feed me
Give up to fate, you don’t have to need me
So let it go, let it go, won’t you let it
Drown me in you, drown me in you, drown me in you

Slip down the darkness to the mouth
Damn the water burn the wine
I’m going home for the very last time

So throw it away, you don’t have to take me
Make no mistakes I’m what you make me
So let it go, let it go, won’t you let it
Drown me in you, drown me in you, drown me in you

I see you turn around and burning down
The feeling starts to sink
I feel the hurt surround me
Please dissolve me
She’s resolved to be

Heal my wounds without a trace
Seal my tomb without my face
I’m going to the lonely place

Another song on this album I have always enjoyed is “Fell on Black Days.”  This, the fifth single from this album peaked at #4 on the Billboard Mainstream Rock Tracks chart.  This is a song about life falling apart when everything seems to be going fine; or as Cornell so eloquently puts it “it’s just that you realize one day that everything in your life is FUCKED!”

Whatsoever I’ve feared has
Come to life
Whatsoever I’ve fought off
Became my life
Just when everyday
Seemed to greet
Me with a smile
Sunspots have faded
And now I’m doing time
Cause I fell on
Black days

Whomsoever I’ve cured
I’ve sickened now
Whomsoever I’ve cradled
I’ve put you down
I’m a search light soul
They say but I can’t
See it in the night
I’m only faking
When I get it right
Cause I fell on
Black days
How would I know
That this could be my fate

So what you wanted to
See good has made you blind
And what you wanted to
Be yours has made it
Mine
So don’t you lock up
Something that you
Wanted to see fly
Hands are for shaking
No not tying

I sure don’t
Mind a change
But I fell on black
Days
How would I know
That this could be
My fate

While it is not my favorite song on this album, I feel it is necessary for one of us to discuss “Black Hole Sun.”  It is easily the band’s most recognizable song, and their best performing single, spending several weeks atop various charts.  The sun is about a surreal landscape in Cornell’s head.

In my eyes
Indisposed
In disguise
As no one knows
Hides the face
Lies the snake
And the sun
In my disgrace

Boiling heat
Summer stench
‘Neath the black
The sky looks dead
Call my name
Through the cream
And I’ll hear you
Scream again

[Chorus:]
Black hole sun
Won’t you come
And wash away the rain?
Black hole sun
Won’t you come?
Won’t you come?

Stuttering
Cold and damp
Steal the warm wind
Tired friend
Times are gone
For honest men
And sometimes
Far too long
For snakes

In my shoes
A walking sleep
And my youth
I pray to keep
Heaven send
Hell away
No one sings
Like you anymore

I am so happy I got the chance to listen to this album again.  It really brought me back to a great time in my life musically.  I think that the 1990’s produced a lot of amazing music, but unfortunately much of it is not on this list.  We have been making a list of albums that didn’t make this list and the mid 1990’s is heavily represented.